Tuesday, November 24, 2020

Self-Reflective Essays

The War Dance 

Full Circle

Melody Muñiz

To bring this course full circle, I will start by saying my definition of dance. Dance is any form of movement that expresses thoughts or emotions. It can be done within a group or be a solitary activity; there are also several different purposes for dancing – for some it is a sacred religious practice, and for others it is a way to release energy in a healthy and fun way. I have learned so much through this course, particularly about the roots of certain dances and how they influence other types of dances. Although it was necessary to maintain social distancing and practice other COVID-19 safety measures, Professor Morejon still managed to make the class very interesting and fun.

In the beginning of the semester we talked about the broad-spectrum approach and how using that approach is so integral to understand all different types of dance. In simple terms, the broad-spectrum approach to dance is appreciating all kinds of dance regardless of how mundane or silly it may look. In the end it is the movement itself that matters. I think this ideology has really pushed me into pursuing the dance minor because it made me realize that I can dance just because I love it. There doesn’t have to be any other reason. As we moved forward with the content in class, we talked about moving past the Neolithic age into more advanced societies like the Greeks and the Romans. I was very intrigued by the war dances because I had never heard of that before. And when you think about it, it makes so much sense that they would use sharp, strong movements to get motivated for battle. It builds a certain level of camaraderie among the warriors who are called to fight. And when they dance together, they are reminded of their purpose in preparing for the war because many times when soldiers go to war they do not even really know or believe in what they are fighting for. Another interesting concept in this course was the African influence in Caribbean dances. The Africans that were stolen from their land to be a part of the slave trade carried with them their faith, customs, songs, dances, and language. For this reason, places like Brazil and Cuba still practice religions like Santeria and Umbanda. This topic reminded me very much of my own Cuban culture. Although Santeria is villainized in the Cuban culture (my abuelita would have a heart attack if she knew I was learning about this in school), I did my best to look at it through a clear lens. I had to unlearn my personal bias and re-learn the concept of Santeria and the Orishas within their proper social and cultural context. I found that this class helped me set aside my personal bias on multiple occasions and see those dances, and the cultures/religions they represent, in a more understanding, mature way. In addition to those dances, I was also very intrigued by the Renaissance and the influence of the Medici family who heavily sponsored the arts, especially Katherine de Medici. At this point in time, dancing gets separated by societal class. The upper-class nobles would dance very orderly and restrained to show their sophistication, while the lower-class people would dance more freely and energetically to express themselves.

The structure of this course – and the whole semester, really – was very different from what I am used to. But I was still able to learn so many fascinating and interesting concepts. I want to thank you, Professor Morejon, for doing the best that you could during this time. Your dedication to this class was infectious and I hope to see you in another class soon.

     2

 Bharatanatyam - Indian classical dance form


Interconnectedness

Tatiana Esparza 

    To once again define, dancing is a physical form of art that can express various things, such as a story, emotions, or even beliefs. Dance takes on many different variations, and can be done individually, with a partner, or with an even larger group. Throughout the course, I have learned a lot about the history of dance and how different dances can also share the same themes and roots. It was very interesting to participate in a course fully online, especially a dance course. 

    I was hesitant at first on the value of doing a course online which I felt should really be in person and interactive. However, the professor and fellow students helped with maintaining the course to remain an interactive experience. When I first joined the class, we were discussing Bharatanatyam. At first, the dance felt so foreign to me because I had never heard of it. But as we learned and practiced it, I realized how yoga, something I am very familiar with, was a part of this dance. 

    The first lesson showed me how interconnected dance is with other themes and topics. As the class progressed, the theme of interconnectedness continued. When discussing war dances, it was interesting to see how in both African countries and during the Roman empire, war dances were used for strategy and teaching war movements to soldiers. History also played a large role in class for the development of dances. When practicing West African dances, we learned that the trading of the enslaved Africans played a role in practicing their faith while practicing the dance. 

    The importance of history was also a component for discussing ballet. We learned how the Italian Medici family, to my surprise, were the first sponsors of ballet. Then, when Catherine Medici married the King of France, ballet was adopted and practiced there. The course led me to reflect how different dances can still find commonality amongst one another.

    I want to thank Professor Morejon for a great semester, especially considering the circumstances. Being online, I thought I would never relate or connect to the topics discussed in class. But after the semester, I realized that I have enjoyed the history behind dance and how they first developed. 

 

      3

 Belly Dancing - Level 1 - Belly Dance Classes Chicago | CourseHorse -  Eastern Fire Belly Dance

 

 Dance Styles, Cultures, Dancers

Amber Wang


            Maybe it’s because Thanksgiving is coming soon, I really want

 to give a lot of thanks to Professor Morejon. I took your class last

semester as well that I had so much fun and learned a lot from you.

Not something you can learn from a textbook, I learned everything

through feeling and communicating. This is the last semester of my

college life and I chose your class again with no irresoluteness. 

 

    Unlucky, with the COVID-19 situation I chose everything on the

remote. But thanks to Professor Morejon that during this difficult

 timing, you did what best you can do. For most students like me who 

went back to their home country, every email you sent before class 

helped us a lot to catch up with the work. The discussion board is also 

very helpful and can give us time to do some self-reflection and 

summary for each class. Now when I look over the discussion board, 

I’m surprised at how much we have learned this semester. 

 

    Different dance styles, different cultures, famous dancers, and so on.

 Also, I learned a lot with the last project. I was planning to introduce 

Chinese traditional dance like Lion dance or Peacock dance. 

Since other classmates were already chosen that topic, I decided to

 change my topic to Belly dance. This is a type of dance I know 

 nothing about, except the name. 

 

    But now I got familiar with it not only its culture, but also the dance

 origins, development, and so many advantages about the dance 

through this project. Also, from watching other presentations, I learned

 something I did not know before and also got a new understanding of

 the dances. Overall, this class is not only enjoyable but also a class 

that benefits a lot. I’m glad I had this course in my last semester.

 

4

 

Dances of the World

 Dance Across the World

Riley Scheier

 

    This semester in Introduction to Dance, I was given a new perspective on the way the world views dance as a whole. I entered this class with a broad amount of knowledge on the way dance is viewed in the United States, as I grew up with dance being a very large part of my life. However, I was unaware of the vast history of dance and its wide variety of uses across the world. Personally, through our culture, I understood that most people in the United States see dance as a past-time without much more meaning behind it. This is very different from the way other countries use dance not only for entertainment but for cultural and spiritual reasons. 

    We initially sought to define what dance is in a concrete way. This was very difficult to do because dance has many different interpretations to many different people. The way that I defined dance was that it is choreographed or improvised movement that tells a story, evokes an emotion, or is performed for celebration. I believe that this definition encompasses a lot of what dance is, however, it is very difficult to define in one sentence. While some people in the United States would define it more in a performance aspect, others across the world would define it more based on its cultural uses. 

    One of the most interesting things that I learned in this course is the way that dance evolved from yoga, specifically from Bharatanatyam. I enjoyed learning about this because I’ve seen firsthand the way that yoga is used so much in dance and to see the way the origins combined to create what we know as modern dance was very interesting. Diving into Bharatanatyam, it is a very impressive style of dance. It takes much precision, balance, and control and the performers are very poised and beautiful. This was one of my favorite styles of dance to learn about and I hope to learn more about it in the future. 

    Another one of my favorite topics that we learned about in this course was pantomime. I found this especially interesting because miming is not typically something that people think of as related to dance. However, after learning more about it, I began to see all the connections between miming and dance. This applies mainly to performance dance that tells a story. This is because dancers can use the principles of pantomime to portray a story without using their words. While the connection between pantomime and dance isn’t one I would have made on my own, it is one that I continue to see throughout many different styles of dance. 

    Another new purpose of dance that I learned through this course is the use of dance in many countries as a preparation for war. These war dances are used not only to prepare the people fighting physically for war, but also to create excitement and unity about going into battle. This is similar to the use of dance as a celebration because both of these use the art form in a way that is different from using it as a performance for education. Both of these uses of dance are widely used but also differ greatly between many different cultures. Exploring the different cultural and spiritual uses of dance is something that I am very interested in studying in the future.

    As we moved more into the modern uses of dance, I became more comfortable with the fact that I had prior knowledge in these areas. However, I still enjoyed learning more than I already did about modern dance. I greatly enjoyed going back to the basics of ballet and tap; two styles that I do very often. I also enjoyed exploring how these styles translated to musical theater and especially about how ballet translated into modern dance. Throughout this class, I have learned more than I ever thought I could about the origins of dance and its great variety across the world.


 

 5


 


Myself Through Dance

Nicolle Garcia


    Dr. Morejon’s dance class (DAN 130) was the highlight of my semester. The pandemic, political, social, and racial climate and suffering going on in our world this fall of 2020 made it very difficult to keep moving forward, let alone focus on my studies. I do not need to say much to explain how difficult this time has been for everyone, and despite us all being under a miasma, we did it! We made it through the semester.

    Through dance and the environment created in the classroom, I made new connections with other people and with myself. I found a confidence through dance that I did not have before. One of my favorite parts of the class was the first day of class when we all spoke aloud what dance means to us, and then we danced it. I felt so embarrassed at first, but Dr. Morejon and my peers were so supportive. It was a great feeling to express myself through dance and to learn what it is like to surround myself with positive energy and support.

    The confidence I found through dance made its way into all other aspects of my life, especially in the arts. I am a singer and after being able to dance and express myself in front of people while dancing, I felt like I could do anything. “Here I am. This is me, and I am not sorry about it,” is what I began to think when creating art, writing music, performing for a large audience. Everyone’s art is worthy and special because only you can create it. We cannot let institutions, competitions, and placements define our self-worth. 

 

 

Why Dance Matters | STANFORD magazine


Why I Dance 

Colette Shea

     This dance class has taught me to look at dancing from a different perspective. All my life, I have grown up in a very strict, competitive dance environment, where we always strive for perception. It was so refreshing to take a step back and look at the real reason we dance. Learning about new styles and cultural meanings really made it all very clear to me. 

    Dance is not something that always needs to be stress filled and intense. We are also able to remember the organic movements and the source of our expression. Throughout the semester, while learning about different cultures and time periods and how they danced, I looked at the art differently. As a class, we were able to connect with each other, even though we had no past experience with each other and nothing in common besides our interest in dance. 

    While we learned about the history of each dance, it made me feel grateful for all of the different styles and outlets we have at our disposal today. It made me appreciate where the dance came from and how it developed into the 21st century. Dance can often be seen as a lost art or underappreciated to those who don't understand it, but with this group and in this classroom, it felt like a safe space to dance freely. 

    This class taught me more than I ever could have possibly imagined, and professor Jorge made it all come to life. I have a different respect for the art of dance and the program here at UM. It reminded me why I dance, and why it is so important.

Thursday, November 12, 2020

Final: Presentations

 

 Shag

Colette, Riley, Rachel

What is shag?

 

  • Popular dance associated with the beach towns of North and South Carolina

  • Two-person dance; typically with a male lead

  • Has one basic step but leaves lots of room for invention and imagination (six-count, eight-step pattern)

  • Looks easy, actually quite complicated

  • Typically done to jazz or swing music but more recently has been done to “beach music”

  • Modern shag is filled with smooth steps

  • Used as a social dance 


Clip from Shag the movie (8-10 minutes)

 

 



Background/Origin

 

  • The earliest version was created by the African American community

  • Started in the late 1930s- really rose to popularity in the 1940s

  • Brought up and created as a very social dance at clubs and on beaches

  • Was always known as a “distance cousin” of the Jitterbug (a flirty ballroom dance that came to life around the same time.)

  • Named the swing dance of the South


Current Uses

 

  • Currently kept alive through teaching it and competing it

  • Still used as a social dance in the dance clubs of the carolina coasts


Carolina Shag Comp Performance (whole video)

 



How to Shag (1:15-3:30) 





 =================================
 
Hora


Colvin, Sam, Jaxson, Maria 

Horah Final Dance Project 

OUTLINE

 


Choose dance from your place of origin.


Introductions: (everyone)


Present on origin, development and currently (Maria)

 

  • the hora was not originally a Jewish dance

  • it used to be done with individuals twirling in circles, but is now done with everyone

     in a group circle

  • The Horah traveled in the early 20th century to Palestine from Romania, where Zionist 

    pioneers, or halutzim, adopted it. 

  • “Hora” comes from ancient Greek khoros, which also gives us such words as “chorus” 

    and “choir.” 

  • Traditional circle dances get their names from khoros can be found all over the Balkans 

    and southeastern Europe. They include the Turkish and Romanian hora, the Bulgarian  

    horo,the Montenegrin and Macedonian ora, and the Russian khorovod, and they are all 

    very old and highly similar in the way they are danced

  • The choreographer of the Horah was the Romanian Jewish dancer Baruch Agadati, 

    who got together in 1924 with a composer and writer of lyrics and created a hora for a 

    show put on by the Ohel Theater Company, which toured with it in the pioneering 

    settlements of the Valley of Jezreel. “Hora Agadati,’ as it became known, was an instant 

    hit.


(Sam)

 

  • the hora was done at a whirling, breakneck pace, each dancer’s arms around the 

    shouldersof those flanking him, the circle spinning so fast that its members were 

    sometimes lifted clear off the ground

  • the dancing often continued for hours on end 


    LINK:

    Hora: A History of the Most famous Jewish Dance


  • typically danced to the music of Hava Nagila

  • In religious families the men and women do the dance separately

  • During the horah at one part the man and the woman or the guests of honor get hoisted 

    in a chair

    • This is done so that in orthodox situations when the men and the women are 

      separated the bride and the groom can see each other. Sometimes they hold a 

      handkerchief up so the bride and groom can hold onto it together and be connected 

      that way  

    • Regardless if the families are orthodox or not it is still customary to put your guests 

      of honor up in the chair 

  • It can last as long as the couple desires. It can be a quick song or multiple hours with 

    different renditions. At more traditional weddings, the hora lasts even longer


Currently + how it's done (Jaxson)

 

  • While historical horas were performed with individuals twirling in circles, these days they 

    are done in a group circle.

  • Participants join hands and move in choreographed steps.

  • In more traditional Jewish communities men and women dance separately in their own 

    circles, while in more modern communities men and women dance together in coed 

    circles with the couple in the middle.

  • The hora dance is performed during the wedding reception. There is no set rule for when

     it should be completed, but most couples chose one of two options. “The hora dance 

    can be done as soon as the couple is introduced to the guests at the beginning of the 

    reception,” says Spirer. “Or it can be done after dinner and then immediately open the 

    dance floor for more dances with high energy.”

  • All the guests join, and this is why at Jewish weddings it is recommended to have a large 

    dance floor and enough space in the ballroom to accommodate this dance.

  • While the couple is always lifted on chairs, sometimes the couple’s immediate family 

    members, parents, and siblings are also lifted into the middle of the circle.

  • The hora can last as long as the couple desires. It can be a quick song or it can last 

    multiple hours with different renditions. At more traditional weddings the hora lasts longer. 

    At some Jewish weddings, the guests only do circle dances at the reception.

  • Every Thing You Need to Know About the Jewish Hora Dance 

     



Demonstrate the steps Colvin

 



Class Does Dance:



Conclusion: Colvin

 

The hora was not originally a Jewish dance but is now a large part of Jewish culture. 

As you can see this circle dance is a very joyous and uplifting experience for the guests and 

guests of honor at any occasion. It lifts the spirits of everyone at the event and can be really 

fun for all. We hope you all enjoyed our presentation and do the horah one day in the future!

 

 




Final Presentation Tips: Working on the Dance

HOW TO Give a Great Presentation

 7 Presentation Skills and Tips to Leave an Impression

1. Know your audience

2. Use structure to build on ideas

3. Use visuals

4. Repetition is your friend

  •         Give a brief rundown 
  •             Body of the presentation
  •                 Tell them what you just told 

5. Have a story to tell 

5. Be relatable; be authentic

7. Build your confidence with practice

Questions

1. Based on the tips given above, what part of the presentation has been the most difficult for you and why?

2. What have you done to improve that aspect of the presentation?

3. Are you ready?

 

 

------------------

 Activity

Get up and rehearse your entire presentation and dance.

Rehearse, rehearse, rehearse

Monday, November 9, 2020

Sample Presentations: Rehearsal

 REHEARSAL

Today, you will be rehearsing your presentations. You will be working on the timing of it. You will practice what is like to be in front of an audience and how you organize your team to cause the best impossible impression on your audience as you get your point across. The videos below introduce basic ideas about presenting with your group.

The first video coaches you on how to introduce your group members. The second video frames the presentation within 4 main parts you should always take into account when introducing your theme. The last video illustrates the kind of presentation remote students could create to post on Discussion Board.

--------------------------

  

 

Introduction of the members of the team

 


4 Key Parts

Sample Presentation for those recording and posting their presentations on Discussion Board. 

---------------

PARTS OF A PRESENTATION

 An effective presentation has three distinct parts. They are: the Opening, the Body and the Close. Many speakers ignore the opening and the close. They simply stumble into the body and ignore the close. Even though the opening and the close might only comprise 5 to 10 % of the total presentation time they can be at least and sometimes more important than the body of your presentation.

Remember that the one component you will add to your presentation is the dance part. A section of the presentation should focus on demonstrating the dance you are presenting or teaching some steps.

 

Activity

 Write a script for your presentation and post it on Discussion Board.

 

Wednesday, November 4, 2020

Planning Your Presentation

 


Understanding your Assignment

As with any assignment, it's important to first check the assignment requirements before you start planning your presentation. Read over the assignment requirements and make sure you understand the following:

  • Is it a group or individual presentation?
  • Is there a time limit or requirement? 
  • Are you allowed to use videos? If so, how long can videos be? Instructors generally do not want videos to take up a big portion of your presentation, but short videos can help to illustrate a point
  • What's the topic you will be presenting on? Do you get to choose? 
  • Are you required to prepare a visual component such as a PowerPoint or a poster?
  • What is the purpose of the presentation? Are you summarizing an issue to inform your classmates? Are you presenting a paper you wrote? Are you trying to convince them of a particular argument related to an issue? Are you leading discussion on a reading? 

Answer the questions above and post your answers on Discussion Board.

--------------------------------

Planning Your Presentation

A good presentation requires careful planning. In general, you will need to follow these steps to plan a successful presentation:

  1. Brainstorm and outline: What's your topic? What do you know about the topic? What do you want your audience to know? 
  2. Research: Use research to support your argument, find examples and statistics, or to learn more about your topic.
  3. Write an outline.
  4. Write a draft.
  5. Plan any visual aids such as PowerPoint or any activities you want your audience to participate in
  6. Practice, practice, practice!  Make sure your presentation is not too long, and edit it down as needed.

 

Link: Planning Your Presentation  

 

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 ACTIVITY

CREATE YOUR OUTLINE AND POST IT ON DISCUSSION BOARD

Monday, November 2, 2020

Modern Dance


 

Activity

(Housekeeping)

Create Groups of three for Final Presentations.

Choose the theme for your presentation.

Decide which day you are going to present.

-------------- 


 Today's Class

Questions

1. Write a short bio of each one of the dancers listed below.

2. Notice that they are grouped in clusters. Explain the relationship of them in each cluster.

 

European Precursors

  • Rudolph Laban
  • Mary Wigman
  • Harald Kreutzberg

 

American Precursors in Europe

  • Loie Fuller
  • Isadora Duncan 


Founders of the First School of Modern Dance

  •  Ruth St. Dennis
  • Ted Shawn

 

Modern Dance Pioneers

  • Charles Weidman
  • Doris Humphrey
  • Martha Graham

 

  • Jose Limon
  • Lester Horton
  • Catherine Dunham